A World Where Everybody Is An Entrepreneur Doing Something They Love


This is an article I originally posted on Elixtacy on July 10th 2017


We are currently living in a time of great technological transformations. The internet has created enormous opportunities for individuals, entrepreneurs and businesses. The most clear game changer with the internet is the direct peer to peer contact it offers with all kinds of people from all around the world. It creates a fabulous opportunity to develop an online business or project in something you truly love and enjoy. In the process, you get to directly connect with many different people finding potential fans and clients who appreciate, love and value what you are doing.


Moving away from old Industrial Age model jobs

Currently many people are still stuck in Industrial Age jobs. These jobs are often of a repetitive nature even if, for now, they may provide a stable income and job security. And it could be argued that many people who do these kind of jobs don’t enjoy them (even if they may pretend that they do) and do them purely for the money. Yet these are the jobs most at risk from automation. These are not just jobs in the retail, manufacturing, construction, transport and basic service industries but also high skilled jobs in the legal, financial and, ironically, even tech industries (there will come a time when AI will be able to do most of the programming/data analysing jobs and create better software than humans can).


Tapping into your creativity 100%

When the above scenario occurs, instead of the dystopian reality that many predict, people will have a great opportunity to develop a business or project doing something they truly love. They will be using their creativity 100%. They will have to. They will have no other choice. It will be the most important “commodity” we have to offer. The alternative option is to be part of a society of “useless people” (a most disempowering term) who constantly lament about how they used to have a solid job and no longer have it due to automation. These are people who sadly haven’t tapped into their creative resources and the immense power within themselves. Instead they fail to change/adapt and are constantly stuck in the past. A very sad state of affairs but it doesn’t have to be like this!


The importance of using your initiative

In our current society only a small segment of the population use their initiative. Most people are crippled by fear, anxiety and low levels of self esteem to take the initiative to start their own business or project. They are more comfortable applying for a limited and dwindling supply of jobs. But one day in the future everyone may be forced to use their initiative. Yet it will be by utilising their creative gifts to their fullest capacity. After automation has made obsolete many jobs in existence our creativity will be king and the entire global economy will be full of individual entrepreneurs and startups all utilising their creativity and operating in something they love, which even benefits and contributes to society in a meaningful way. It will be a truly pure and direct sharing economy of people interacting and transacting with their unique services.


By Nicholas Peart

(c)All Rights Reserved


How Artificial Intelligence Can Be Your Friend


This is an article I originally posted on Elixtacy on July 25th 2017. I have edited the original article.


Much has been said about artificial intelligence or AI. Often people have talked about AI in a very fearful way as something with catastrophic and apocalyptic consequences. Even highly regarded people like Elon Musk and Stephen Hawkings have warned of the potential dangers when AI becomes highly developed and sophisticated. There is no question that AI will develop exponentially and become an enormous industry. It will greatly augment other industries and increase their productivity in unprecedented ways.


What about when AI becomes more sophisticated than humans?

One of the hot topics surrounding AI and the main cause of most people’s concern is, what happens when AI becomes more sophisticated than humans? Most people view such a situation as a threat to humanity and there are perfectly legitimate and rational arguments as to how AI can be a real danger to the human race. But let’s look at AI and it’s potential in a more exciting and positive way. This is a technology, which has the power to change our lives and make our lives better and less gruelling. Already there exists different kinds of AI such as the electronic calculator, speech and image recognition, or the algorithms designed for automatic language translation, spelling and grammar corrections, and the ones tech goliaths Facebook, Google and Amazon use to create our daily news feeds and recommendations respectively etc. The Siri function on your Apple iPhone (or Amazon’s Alexa) is a very embryonic form of the ‘virtual assistant’ type of AI, which will grow and develop at an exponential rate. At some point in the future this kind of AI bot will be your 24/7 multi task virtual assistant, which you’ll be able to have intelligent two way conversations with about virtually (no pun intended!) anything. Based on all your digital data and spoken words, it will help you make all your decisions for you. This virtual assistant bot will help you with all kinds of issues whether they are legal and financial queries, relationship problems and generally try to help you to organise your life and make it more efficient and productive. A SMART Life! In some ways, it could be said that the future of the traditional Google Search engine, where you type what you are looking for, is ‘voice search’. Existing and continually developing search engine algorithms incorporating increasingly sophisticated speech recognition functions will develop into super smart virtual assistants where all quieries are answered and specific links and information to those quieries is provided through the already substantial amount of data and content on the net.


Job automation

People fear that AI will speed up the process of job automation and eventually make all jobs obsolete. This will happen yet it will happen to all Industrial Age, repetitive jobs with little to no creativity. Instead of being fearful, people should be happy. I mean do people enjoy repetitive, humdrum and uninspiring jobs? In our current culture there is this incomprehensible and irrational obsession with work; but work of an often soul destroying kind and not work that people enjoy and which can benefit and change society. AI will eventually automate all forms of repetitive and uncreative work and in the future people will be working far fewer hours.


A Post-Work society and why our creativity and ideas will be king

AI in the distant future will lead to a type of Post-Work society. Yet in these times people will be finally free from monotonous work and will likely be engaging and harnessing their creativity and ideas in doing something they love. Rather than being a threat, AI will be an indispensable and invaluable resource, which will augment, complement and greatly benefit our levels of creativity and ideas and help us to realise with the best results whatever we want to achieve. AI will greatly enhance our creativity and generation of ideas and help us to tap into them in unimaginable ways. And best of all, it will all most likely be free. No need to set aside money for expensive lawyers, financial advisors, planners and accountants. Or even software developers and digital data analysts and marketers. AI will be able to serve you in all these areas at no cost.


By Nicholas Peart

(c)All Rights Reserved

POETRY CORNER: ‘Junkyard Sacrifice’


Breakdown still 1 (2014) by Nicholas Peart


well I would talk forward
in candle phone motion
on the arm a hit to lift off
till we make the star spangled banner in the sky positioned to face

the padded floor of consistency moving and changing at a height only you could predict
no one will ever know

amazed by the sight
shamed by the lack
of tangible potential area
I want to feel…
a funtime waiting
from the source of the shield… the source of real mankind
the route of chance
a destination
we don’t look back
once the needle plays
all the points A to Z
(the comedown back to alpha)

all our material possessions:
a ride
that’s all it is…
just a ride
to the apple of the universal broken heart…

through the mirror we’ll see and find ways to mend

with what’s left…
with haste…

with passion…
combined thought control…
sealing the wings to complete
the spiritual circulation to the next level eyes forming from the back of the head now connecting to the constellations we’re all a part…
the strait of unity constructed
from the backbone rubble of the past…

and how it shines

blinding the moons all turning
so surreptitiously their duty

then morning another ball

to do the job
its oyster
of many years
in between…
and a mere crumb of these years are yours and mine


By Nicholas Peart

Taken from the poetry collection In Arctic Measure (poems 2004-7)

(All rights reserved)



A Winter In Crowland (2008) by Nicholas Peart


pulsating hornet brew on growth mutations

around the stuck up stations

immense in time revered around the world

calling across the fine lines

separating the shielded divide

from the unruly philistines penetrated by the big eyed rays from Venus

settling debts on broken chimney tops

a stretch

unicorn and leprechaun dreams

on the psychedelic reel

of the next year of the horse in junction

with the insatiable beat

of the sound of hollow cries

defending the name

to go by then breaking their necks over

counter pleasures for real

really had to make the grain

in track to be when you let it out

scaling orange sunsets reflecting maggots

a plenty on hooks

to fry

and worthless degree of harm no crime

posing fatal marks

dripping red on polluted greens

something to tell your grandchildren to go by

and reassess what’s done

to predict impossible to say

get once you sterilzed

on every bit of bark

coming close to caving in

projectile promises airbrush

the scope of needs and well being


diving through the combative

vertigo waving the sky

in time to the rhythm

perceived along stained riverbanks

to the holes of the crows counting rapid fire

and innovative skill burning white hot

waiting for the end to get nearer.


By Nicholas Peart

Taken from the poetry collection In Arctic Measure (poems 2004-7)

(All rights reserved)

Poetry Corner: ‘In’


Nude In The Sun (1875) by Pierre-Auguste Renoir


In spite of you it still begins
washed up poor excuse
of a broken melody on trial
same discarded view

in pairs we let it grow
abandon faded leisure
for an instant filthy pleasure
a different point of view

in time it stands up tall
relishing the thoughts below
of overthrown mistaken virtue
beneath the distant dews

in woven masks on prairie nights
at eighteen in the crowd
forgetting need to be
underneath it all was you


by Nicholas Peart

Taken from the poetry collection In Arctic Measure (2004-7)

(All rights reserved)

Poetry Corner: ‘Funeral Pyres Of Fantastic Disguise’


The Garden Of Earthly Delights (1495-1505) by Hieronymous Bosch 


Through different glass slides of my existence
bailout blackout days
in hand with garden delights
or is it my mind that sets the controls?

We instinctively and without thinking and awareness
say something is good or bad
delicious or rotten
beautiful or ugly
a gas or unbearable
but is this all in our minds?

Holy dove prayers
shut books and creased faces
kicked boxes with emotion wires
multi foliate metropolises
growth mistaken for regression
hollow fame and smokey dreams
psychedelic views colour the air

All the more inside
it had cherished it’s time
where ‘no’ is the elusive ring
and hard wheat with strand strength
smashed the platinum gates.
The doors wretched…
unclear love in translucent light
cheap happiness in false time
higher planets turn and abandon cries
from ages left behind
the strong bounce of new horizons
future creatures bent on banishment than beauty
the higher stairs stand strong
all cravings pulse then whimper
small blossoms of victory for all
familiar shadows of humble high connection matter
stewed flights of envied fancy;
nothing but a fool’s pool
a come-down calling;
clunked in over-observed glitter dust
the light trick the eternal life trick
reality a mundane non stop silence
most noise an illusion and loss temptation
a distraction from un-heeded space;
the stage when the body and mind never felt so free
and this a freedom so simple to acquire
the complex low-conscious wading an unnecessary test
I hope someday the next level comes to you

Electric calm
a yield never coasting
an overflowing love
a fume box
clean seeds of future worlds
in a wonder-belt wall
old sound in stupored city squares
the glows crush down and morph
to funeral pyres of fantastic disguise


by Nicholas Peart

1st February 2016

(All rights reserved)

Spiritual Coding and Self Discovery: An Exploration Of My Paintings


Magma Matter Execution (2012) by Nicholas Peart


I am often asked by people to explain my paintings. ‘What are they about?’ is a common question. For a long time I found it difficult to translate the meaning of my paintings into words since the process is very personal and involves deep introspection. When people did ask the question I invariably gave them the reply, ‘My feelings. I paint my feelings’. This is one of the most succinct and sincere ways of explaining the meaning of my paintings yet I often felt that such a response just didn’t wash with some people.

All of my inspiration comes from within; through journeys into the deep chambers of my eternal, spiritual and immortal being. This is the part of me that is really me. The truth. In Hinduism and Buddhism this part of the self is known as atman. Yet often I feel very separated from this as I am immersed in the external environment of this life; a player on a stage where much of the cast has been programmed to be increasingly separated from their true being.

When I am immersed in the deep meditative process of painting, I feel increasingly connected with my true eternal being. It almost feels like it’s not me painting but my spirit. In my most inspired and transcendental moments of the painting process it is my eternal spirit which guides me. In these moments there is no chasm between my conscious and my unconscious. Being in this state makes me think of some of the earliest prehistoric civilisations. Back then, the world was a much less complex and complicated place to the one it is today. Especially the time before words. I think of the San rock art paintings found across parts of Southern Africa and Aboriginal rock art paintings from Australia. The San people of Southern Africa and the Aboriginal people of Australia fascinate me greatly since their culture goes back tens of thousands of years. But what’s more, their culture is profoundly spiritual and this can be seen clearly in their art; their oneness with the world and nature, and their high levels of awareness. In many ways it’s their lives and methods of working which inspire me just as much as the work itself, because of their deep spirituality.



San rock art – Cederberg, South Africa


One thing that the San and Aboriginal people have in common is that much of their land is vast desert. For many people such a terrain is inhospitable and lonely; especially if one is very separated from themselves. In this state of being such a person would very quickly find the desert intolerable and isolating. It’s almost like the desert richly rewards those who are spiritually connected (and by extension at one with it) and makes life a living hell for those who are detached from their eternal soul. With a higher state of consciousness the desert begins to truly reveal itself. In a sense my paintings are like deserts, which only become alive as one becomes more connected with themselves. And this is sometimes a great problem I encounter as to some people my paintings appear quite alien and foreign to them. I fully expect this and it does not offend me when people openly tell me that they don’t understand them. My paintings are interactions with the spiritual world and these interactions take place during the painting process. One could then argue that in order to get to the core of my work it would be essential to observe me as I paint. You can do this and you can even do this without me being aware of being observed. But to really understand the processes would involve fully connecting with all levels of my consciousness.



Wadjina Aboriginal rock art – Kimberly, Australia


I find that the paintings of the American artist Don Van Vleit (better known as Captain Beefheart) have much in common with the art of those early prehistoric civilisations. What’s also interesting is that when Van Vleit retired from making music and dedicated himself fully to painting in the early 1980s, he lived in a remote part of Northern California. And by immersing oneself in his work one can see the deep connection. Like the San and Aboriginal people, his true spiritual home was in nature. The place where his true being could glow white hot. Take him out of this environment and plop him in a studio in New York, London or Berlin, he would be like a flower without water.



                                        Crepe And Black Lamps (1986) by Don Van Vliet


I like to call my painting technique Spiritual Coding. In the digital world in which we currently live the word coding is used a lot. This of course refers to computer programming. A language for this age. And when I look at my paintings I am also using my own language. A language created through interacting with my ‘inner being’ and this I call Spiritual Coding. My paintings are in many ways remnants of this. Tangible photographs almost of my eternal spirit. Although they don’t capture the processes of my work they are residue formations of intense spiritual journeying and internal searching.



A Winter In Crowland (2008) by Nicholas Peart


Remaining on the subject of Spiritual Coding, symbols are important in my paintings. The American artist Philip Guston created his own unique symbols, language and world. Even if his world was very bleak and one of hardcore isolation. A dystopian spirituality. But through connecting with his paintings one can see that he embraced this insurmountable at-sea pain and isolation. Works offering no hope or salvation. For the majority of people (including myself) such a level of alienation would be intolerable and very difficult to embrace and accept. But it’s amazing how secure Guston seems to be in this vacuum. And that’s what makes his paintings very striking, visceral and distinct. They are pure undiluted archives of raw pain. I think of Van Gogh and how, even though he was often in the grip of profound sadness and anxiety, he produced some of the most beautiful paintings of all time. Yet Guston’s paintings are anything but beautiful. He was not looking to turn pain into beauty. He was more interested in turning pain into more pain. The painter Francis Bacon is the closest artist to Guston in this respect. Merciless insatiable masochists. Perhaps there is absolutely nothing of the spiritual in Guston’s work and he was always an enigma to himself but his comfort in the most acute thresholds of pain and loneliness is epic.



Painter’s Form II (1978) by Philip Guston


Luck and chance play enormous roles in my paintings. My soul brothers here are the painters Jackson Pollock and Francis Bacon. And like them I never make sketches or engage in preliminary studies. And why would I? After all this is completely against my way of working and, more significantly, my raison d’être. I can’t plan what I am going to paint. If luck and chance weren’t integral parts of the painting process, I don’t think I would ever paint. Uncertainty is extremely important.



                                                                           Jackson Pollock 


The work of both Jackson Pollock and Francis Bacon have their own unique and idiosyncratic qualities yet what unites them is their spontaneity. But there’s a more important quality which unites them and that is their energy. Wild, untamed, animal energy. Free of even the most minute inhibition. The primal way Pollock dripped paint and the ferocious and feral way Bacon attacked the canvas. Almost like a serial axe murderer taking a swing at his next victim. I can relate to this (not the axe murderer) since in much of my work when I first apply paint to the canvas either with a brush or a palate knife I literally lunge at it and let my inner self do the work. And sometimes I get so exhausted by the end of this process I need to rest.



                                                                            Francis Bacon


I am still on my journey of self discovery. And as explained earlier in the text, I am just as conditioned and influenced by my external environment as any other being yet when I am painting I am far away from this external environment since painting enables me to get closer to the truth; of myself and the world


by Nicholas Peart

23rd May 2016

(All rights reserved)


My work can be found by visiting my website; http://www.nicholaspeart.com