Accepting Your Contradictions

red purple dots pixabay photo

When I was younger, I tried very hard not to appear a hypocrite. I would look down upon those whom I perceived as blatantly hypocritical and unaware of their own contradictions. Yet no matter how much of a purist I tried to be, holes would always appear in some shape or form. The more I tried not to be a hypocrite, the more I began to feel the weight of life on my shoulders. In the process I felt my vitality and joie de vivre being sapped.

Some of the most inspirational icons in the world were full of contradictions. John Lennon is a great example. For much of his music career he promoted the ideas of peace, love and togetherness. He got his positive messages across to millions of people with great success, but his domestic life was at times anything but peaceful. It has been said that he could be volatile and even physically abusive. He spent very little time with his eldest son Julian (even though he wanted to mend his relationship with Julian before the time of his death). Yet does this diminish my opinion of John Lennon? Absolutely not. He was a hugely talented and authentic singer songwriter who openly acknowledged his flaws and contradictions, often in his songs such as Jealous Guy and Getting Better.

Accepting your contradictions is one of the most liberating and beautiful forms of surrender. The moment you do this, life becomes less heavy and sweeter.

 

By Nicholas Peart

(c)All Rights Reserved 

 

Image: susannp4

Who’s It By?

Picasso - Les_Demoiselles_d'Avignon

Often when looking at a work of art, the first question to pop into the viewer’s head isn’t, ‘What’s it called?’ or ‘What’s it about?’. Rather it is, ‘Who’s it by?’. The more discerning viewer may ask the first two questions, but most will ask the third. Pablo Picasso, Andy Warhol, Jackson Pollock, Francis Bacon, Jeff Koons and Damien Hirst are some of the biggest names in modern and contemporary art. It is hard to find someone who has never heard of Picasso before. Yet how many could name the title of one of his many paintings?

Picasso is a brand in the same way that fashion giants Prada, Armani, Chanel and Louis Vuitton are brands. When one looks at a suit, most will invariably try to find out what brand or label it is over any investigations regarding it’s intrinsic qualities. It’s the same with other ubiquitous consumer products like Coca Cola. You can buy a cheaper supermarket cola, which may even contain the exact same ingredients, yet it will never have the same cachet as a ‘Coke’.

The following story encapsulates perfectly the power of ‘Who’s it By’. The artist Bansky recently tested this by submitting an original work of art for the 2018 Summer Exhibition at the Royal Academy of Art in London under the fictitious name ‘Bryan S Gakmann’ (an anagram of ‘Banksy anagram’). It got rejected during the selection process. Nobody had heard of this Bryan S Gakmann chap. Yet when Banksy himself was asked to feature a work at the show by the organizers, he submitted the work rejected under his fake alias. After all, it was a ‘Banksy’ in the end.

 

By Nicholas Peart

(c)All Rights Reserved 

Talent Is Cheaper Than Table Salt

Table Salt

“Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work.”

These are the words of the writer Stephen King. When I first read this quote several years ago, a part of me was outraged. My thoughts at the time were something along the lines of, ‘Talent is cheaper than table salt!?! Who does this man think he is!?! Talent is an asset goddammit!

After cooling down I re-read that quote in its entirety, beyond the first sentence…. ‘What separates the talented individual from the successful one is a lot of hard work.’ After pondering over the last sentence of King’s quote I slowly developed one hell of a reality check. The quote demythologises the notion of how talent by itself is enough to succeed. For many years I thought talent was all that one needed. All my heroes were outrageously talented and unique human beings. Besides I couldn’t care less for lesser mediocre beings regardless of how hard they worked. I despised mediocrity.

Some complain that we live in a society where mediocrity is rewarded. And maybe they are right to complain? After all some of the biggest names in the world today are quite ordinary people and one could even come to the conclusion that they have very limited talents with nothing enlightening to say. That may be. But they are successful, because they work incredibly hard and know what makes the average individual on the street tick. They work tirelessly whilst also mirroring Joe and Joanna Blogs, giving them what they want.

 

By Nicholas Peart 

(c)All Rights Reserved 

Photographs From The District Of Exarcheia In Athens

Exarcheia is an interesting district to explore in the Greek capital. When I was based in Athens for a few weeks in November 2017, I went on a few strolls in this part of the city. It is a slice of alternative Athens. You can call it trendy or hipster, but this is a very raw and unpolished place. This is no Shoreditch or Brooklyn. Demonstrations frequently take place. In fact, when I was there, I witnessed one manifesting by the Polytechnic University entrance with piles of stolen chairs and bits of furniture piled on top of one another. I’ve read about the anarchists who populate this district. They can be found around Exarcheia’s main square. When I passed this square, I saw a bum with an unruly bush of greying curly hair lying on a knackered mattress wrapped up warm (Athens starts to get cold in November) and engrossed in a book. By his side there were several columns of battered paperbacks. I thought to myself, Is this guy some skid row Socrates? There’s a sense of sadness when I walk these streets felt via the consequences of the never ending economic hard times the country is going through. Amongst the abrasive graffiti permeating the streets are some genuine works of art. On one wall someone has created an enormous mural of a homeless person with the words, ‘dedicated to the poor and homeless here and around the globe’. Below is a roll of photographs I took from my explorations here. The best sensors though are natural. One’s eyes, ears and nose will never be able to replace an artificial lens, but these snaps shall suffice…

 

nicholas_peart_1983_1___Bbha9svDNLi___nicholas_peart_1983_8___Bbha9svDNLi___nicholas_peart_1983_5___BbhdZ64DudI___nicholas_peart_1983_10___BbhdZ64DudI___nicholas_peart_1983_5___Bbha9svDNLi___nicholas_peart_1983_8___BbhdZ64DudI___nicholas_peart_1983_1___BbhdZ64DudI___nicholas_peart_1983_2___Bbha9svDNLi___nicholas_peart_1983_3___Bbha9svDNLi___nicholas_peart_1983_3___BbhdZ64DudI___nicholas_peart_1983_4___Bbha9svDNLi___nicholas_peart_1983_4___BbhdZ64DudI___nicholas_peart_1983_6___BbhdZ64DudI___nicholas_peart_1983_9___BbhdZ64DudI___nicholas_peart_1983_10___Bbha9svDNLi___nicholas_peart_1983_6___Bbha9svDNLi___nicholas_peart_1983_7___Bbha9svDNLi___nicholas_peart_1983_9___Bbha9svDNLi___nicholas_peart_1983_7___BbhdZ64DudI___nicholas_peart_1983_2___BbhdZ64DudI___

 

 

Photographs and text by Nicholas Peart

(c)All Rights Reserved

Photographs From Rome’s Testaccio District

The Testaccio neighbourhood of Rome located by the Tibor river and south of the Coliseum and ruins of ancient Roma is an interesting part of the city to stroll through. For a long time it was traditionally a working-class district. In recent years the area has become gentrified and this shows in some of the trendy eateries and bars as well as the broader mix of residents. Yet unlike some neighbourhoods. which completely lose their original flavour, Testaccio has retained much of its character and this shows in the photographs. The streets are full of grand old multi-story buildings. Graffiti, both artistic and non artistic, can be found in several corners of the neighbourhood.

The main piazza of Testaccio becomes animated over the weekend with families and children playing and kicking footballs around. Old long time residents can also be found shooting the breeze on the piazza benches.

Close to Pyramide metro station on the edge of the district is a prominent Egyptian style pyramid built during the Roman period. And nearby there is a beautiful and tranquil Protestant cemetery where one can find the graves of the English poets Keats and Shelley. I describe this cemetery in another blog post.

 

IMG_20180414_181914267IMG_20180414_175429284_HDRIMG_20180414_180934697IMG_20180414_180759495IMG_20180414_175826954IMG_20180414_180118696IMG_20180414_180543836IMG_20180414_181749154IMG_20180414_181322599_HDRIMG_20180414_181236969IMG_20180414_182535034IMG_20180414_181511270IMG_20180414_181339140IMG_20180414_182156262IMG_20180414_181540097_HDRIMG_20180414_181602109IMG_20180414_183113914_HDRIMG_20180414_182635649IMG_20180414_182341405IMG_20180414_180858095IMG_20180414_180820634IMG_20180414_183149412

 

Photographs and text by Nicholas Peart 

(c)All Rights Reserved 

 

 

Sculptures By Francesco Messina At The Vatican Museums

The Vatican Museums are one of the jewels if not the leading attraction of ‘must see’ sites in Rome. It’s on everyone and their Jack Russell’s ‘to do’ list. Rome is extremely well endowed with historical sites and one could spend weeks if not months trying to unearth most of them. The Vatican Museums are of course most famous for the Sistine chapel as well as the Rapheal rooms containing his frescoes and a large Pinacoteca featuring a treasure trove of landmark works of art. As a consequence of such riches, it is supremely popular and the crowds can be overwhelming.

However the Vatican Museums are an enormous place with a breath-taking collection of art impossible to digest in just one visit. As most people make a b-line for the highlights, lots of work gets overlooked. Interestingly, within the museum complex there is a museum of modern and contemporary art featuring works by Rodin, Van Gogh, Gauguin, Matisse, Dali, Francis Bacon and several Italian modern artists including Giorgio Morandi, Alberto Burri and Lucio Fontana. Yet it was the handful of bronze sculptures by the Italian sculptor Francesco Messina, which caught my full attention.

Messina is considered one of the most important Italian sculptors of the 20th century. His sculptures remind me of Donatello’s when it comes down to their core fundamentals. The most important of these is tapping into the soul and spirit of the subject. Donatello had an immense talent for achieving this and this is what distinguished and separated him from his contemporaries and competitors. What’s more incredible was that Donatello was creating such human and soulful sculptures at the beginning of the Renaissance and several years before Michelangelo. Most of Donatello’s contemporaries had at least one foot still in the Medieval ages. Donatello, on the other hand, was streets ahead. For Donatello it was not just about recreating and resuscitating the great sculptures of the Classical period, it was also about executing feelings and creating sculptures of his subjects in a way where he understood and connected to them.

Messina is a true student of Donatello. His sculptures of Adam, John the Baptist and David all have their roots in Donatello’s David. They are very sensitive and delicate sculptures. Messina, like Donatello, creates his subjects warts and all without any traces of exaggerated mannerisms. Messina’s sculpture of David is far closer to Donatello’s sculpture of David as opposed to Michelangelo’s. Michelangelo’s David for all its dexterous skill is almost too perfect. Donatello’s David is closer to the source and projects a David that is more real and less idealised. Messina’s 1953 bronze sculpture of David is an exceptional creation. His David is like a feral tearaway street urchin from a Jean Genet book. Messina’s David tries to act in a tough ‘too big for his boots’ way carrying a large sharp knife but its all a front and it shows. He’s really a lanky, scared and lost little boy with twig-thin arms. Messina has created a true David with all his strengths but also all his frailties and vulnerabilities.

Messina’s sculpture of a youthful John The Baptist is another gem where he deftly captures his tenderness and humanity; that of a pure and virtuous being. The gaze of the face of Christ in his Ecce Home sculpture is hypnotic and visceral. As is the face and figure of his Mary of Magdalen sculpture. And this is where Messina’s genius as an artist lies; in his ability to crystallise emotion.

 

IMG_20180430_123622_899

The Rising of Lazarus (1951) – bronze

 

IMG_20180430_123622_908

The Young St John the Baptist (1955) – bronze

 

IMG_20180430_123622_898

Doubting St. Thomas (1951) – bronze

 

IMG_20180418_153853995_LL

Ecce Home (1953) – bronze

 

IMG_20180430_123622_900

Adam (1939) – bronze

 

IMG_20180430_123622_904

The Magdalen (1953) – bronze

 

IMG_20180418_154059609_LL

Pius XII (1963) – bronze

 

IMG_20180430_123622_909

St. Catherine of Siena (1961) – bronze

 

IMG_20180430_123622_902

Pieta (1950) – bronze

 

IMG_20180430_123622_901

Davide (1953) – bronze

 

 

Text and photographs by Nicholas Peart 

(c)All Rights Reseved 

Visiting Rome’s Protestant Cemetery

IMG_20180416_135334777

Located in Rome’s Testaccio district is Rome’s Protestant Cemetery where many distinguished figures through the ages are buried. The cemetery is most famous for being the resting place of the English poets John Keats and Percy Bysshe Shelley. Both poets died young. Shelley at 30 and Keats at only 25. Keats died in Rome in 1821 of tuberculosis and is buried next to his friend, the English painter Joseph Severn (who lived 58 years longer dying at the age of 84 in 1879), in the Parte Antica (Old Part) of the cemetery by the prominent Pyramid of Cestius, originally constructed in 18-12 BC as a tomb for Gaius Cestius who was a magistrate and member of the Septemviri Epulonum, one of the great religious corporations of ancient Roman priests.

 

IMG_20180416_131905442_HDR

The graves of poet John Keats (on the left) and his friend Joseph Severn

Shelley drowned off the Italian Riviera in 1822, just a year after Keats. Even stranger is the fact that a book of Keats poetry was found in his pocket when his body was washed up on the shore. His friends, the poet Lord Byron and the English novelist and traveller Edward John Trelawny, cremated his body on a beach near the Tuscan town of Viareggio. The ashes were then sent to the British consulate in Rome who transferred them to the Protestant Cemetery. Shelley’s grave is located in the Zona Vecchia (Old Area) part of the cemetery in the row at the very back. His epitath reads, ‘Nothing of him that doth fade, But doth suffer a sea=change, In to something rich and strange’

 

IMG_20180416_132840240

The grave of the 19th century English Romantic poet Percy Bysshe Shelley

Directly facing Shelley’s grave is the small grave of the American Beat era poet Gregory Corso who died in 2001. His epitath reads, Spirit is life, it flows thru the death of me, endlessly like a river, unafraid of becoming the sea.

 

IMG_20180416_133717048_HDR

The Grave of the American beat poet Gregory Corso 

Elsewhere in the cemetery are the tombs of the grandson of the poet William Wordsworth and the only son of the German writer and poet Goethe. The cemetery contains the grave of the uncle of Edvard Munch, Peter Andreas Munch, who was a historian. One can also find the graves of the 20th century Italian poets Dario Belleza and Amelia Rosselli. One of the principle artists of the Italian post-WW2 Arte Povera art movement, Jannis Kounellis, was buried here last year. The graves of the 19th century English sculptors, John Gibson and Richard James Wyatt, who were both students of the Italian sculptor Antonio Canova, are both located in this cemetery.

 

IMG_20180416_134315185

The tomb of the 19th century English sculptor John Gibson

The grave of the Italian philosopher and one of the founders of the Communist Party Of Italy, Antonio Gramsci, can be found here. He was imprisoned in 1926 during Benito Mussolini’s Fascist regime. Whilst in prison he wrote the seminal Prison Notebooks between 1929-35, which were inspired by Marxist theory and by the writings of figures such as Niccolo Machiavelli and Vilfredo Pareto. In 1935 he was released from prison due to deteriorating health and died two years later in 1937.

 

IMG_20180416_135929819_HDR

The grave of the Italian Marxist philosopher and Communist Party of Italy founder Antonio Gramsci 

One of the most prominent graves in the cemetery is that of the Italian surgeon and humanist Giovanni Ceccarini, which reigns majestically in full Neo-Classical opulence and glory.

 

IMG_20180416_140108383

The lavish neo-classical tomb of the Italian surgeon and humanist Giovanni Cecarrini

Visiting this cemetery is definitely worth the trip. Especially on a sunny and cloudless day. It is one of the most beautiful and peaceful cemeteries I have ever visited. Some cemeteries can be a sombre and oppressive experience but not this one. Moreover, it is not an overvisited place like many of Rome’s other landmarks. There is no fee for visiting but at least a 3 euro donation is recommended in order to maintain the cemetery.

 

By Nicholas Peart

(c)All Rights Reserved